Seraphic Fire presents a FREE community concert entitled Music of the Passion. This soul-stirring concert of works by Gregorio Allegri, Josquin de Prez, Nikolay Kedrov, William Byrd, and others will explore the rich history of choral music and emphasize the centuries-old power of music to elicit introspection.

Concerts are FREE, registration is encouraged but not required.

Music of the Passion on Sunday, March 30 is presented in collaboration with the Hyacinth Series of Moorings Presbyterian Church.

This free concert is made possible by Mel & Barbara VanderBrug. Free admission to concerts in Miami-Dade and Broward counties is made possible with additional support by the Meredyth Anne Dasburg Foundation. 

Seraphic Fire presents a FREE community concert entitled Music of the Passion. This soul-stirring concert of works by Gregorio Allegri, Josquin de Prez, Nikolay Kedrov, William Byrd, and others will explore the rich history of choral music and emphasize the centuries-old power of music to elicit introspection.

Concerts are FREE, registration is encouraged but not required.

Music of the Passion on Sunday, March 30 is presented in collaboration with the Hyacinth Series of Moorings Presbyterian Church.

This free concert is made possible by Mel & Barbara VanderBrug. Free admission to concerts in Miami-Dade and Broward counties is made possible with additional support by the Meredyth Anne Dasburg Foundation. 

Seraphic Fire presents a FREE community concert entitled Music of the Passion. This soul-stirring concert of works by Gregorio Allegri, Josquin de Prez, Nikolay Kedrov, William Byrd, and others will explore the rich history of choral music and emphasize the centuries-old power of music to elicit introspection.

Concerts are FREE, registration is encouraged but not required.

Music of the Passion on Sunday, March 30 is presented in collaboration with the Hyacinth Series of Moorings Presbyterian Church.

This free concert is made possible by Mel & Barbara VanderBrug. Free admission to concerts in Miami-Dade and Broward counties is made possible with additional support by the Meredyth Anne Dasburg Foundation. 

Handel: Messiah

Owen Burdick, guest conductor

March 16, 2025, 4:00 at Christ the King in Stone Ridge, New York

Messiah is a masterpiece worth hearing—and a story worth retelling—every year.

It has been performed by choirs of twelve, and by choirs of hundreds—even thousands—if you count the ever-popular Messiah sing-alongs performed by the public each Christmas. Yet, perhaps no other work has had as many unfounded myths and musical traditions associated with it.

For example, Messiah was never originally a “Christmas” piece at all and was not even considered “church music.” The 36 performances conducted or supervised by Handel all took place in March, April, or May (during Lent or Easter)—and never in a church! And yet, Messiah has become a beloved (and some might argue, a de rigueur fixture) of the Christmas Season!

Very few perform Messiah on period instruments with such small forces as we propose—as Handel intended it to be performed and heard. The usual holiday performances are behemoth affairs involving huge choruses and orchestras or, typically, they’re sing-a-longs. While fun for the audience, these performances have little or nothing to do with the masterpiece which Handel composed. They convey nothing of the intricacy and subtlety behind Handel’s chef d’oeuvre—nor can they possibly impart and communicate its considerable spiritual power.

Messiah is a work with which Hudson Baroque’s beloved guest conductor, Owen Burdick, has had a long association and familiarity, having conducted the oratorio from memory over forty times during his seventeen-year tenure as Organist and Director of Music at Trinity Church, Wall Street.

In December of 2005, Bernard Holland of The New York Times wrote, “My deepest respect goes to Dr. Burdick, both for the carefully prepared agreements on phrasing and dynamics and for the utter sincerity with which they were realized…all the Messiah outings to come in the next two weeks will have to work hard to match this one.”

Steve Smith of The New York Times has described Trinity Church’s annual performance of Messiah under Owen Burdick’s direction as “the best in New York,” and “the one to watch!” Time Out New York said it’s “by far the finest performance in this city.”

Dr. Burdick’s study of Charles Jennens’ libretto leads him to the conclusion that Messiah was intended to be performed very much like an opera, with arias and choruses divided and grouped into “scenes” and “acts.” Performed in this way, Messiah takes only two hours and 15 minutes—with a single 15-minute intermission, for a total time of only two hours and 30 minutes!

Performances involving hundreds of singers and instrumentalists can’t possibly attain the excitement, speed, and precision of Hudson Baroque’s smaller professional forces. This evening promises to be an event where world-class performances become the stuff of legend in a future Stone Ridge, NY.

Admission is free, but tickets are required and available on a first-come basis, so please reserve your seat today.

PATRICK DUPRE QUIGLEY, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PERIOD ORCHESTRA

REBECCA CYPESS, CONSULTING SCHOLAR, RUTGERS UNIVERSITY 

Explore the vibrant works of Marianna Martines, a star of Viennese Classical music. A pupil of Franz Joseph Haydn and duet partner to Wolfgang Amadeus Mozart, Martines' music radiates simplicity and elegance. In a concert featuring chorus and period orchestra, we highlight the modern world premiere of Martines' O, Virgo, cui salutem, alongside bedrock works by Haydn Mozart, including the ravishing "Laudate Dominum" from the Vesperae solennes de confessore.  

Program Includes

MARIANNA MARTINES — O, Virgo, cui salutem (modern world premiere)
MARIANNA MARTINES — Ah, Berenice, che fai 
FRANZ JOSEPH HAYDN — “La Roxelane” from Symphony No. 63
WOLFGANG AMADEUS MOZART — Missa Brevis in F Major 
WOLFGANG AMADEUS MOZART — “Laudate Dominum” from Solemn Vespers for a Confessor

PATRICK DUPRE QUIGLEY, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PERIOD ORCHESTRA

REBECCA CYPESS, CONSULTING SCHOLAR, RUTGERS UNIVERSITY 

Explore the vibrant works of Marianna Martines, a star of Viennese Classical music. A pupil of Franz Joseph Haydn and duet partner to Wolfgang Amadeus Mozart, Martines' music radiates simplicity and elegance. In a concert featuring chorus and period orchestra, we highlight the modern world premiere of Martines' O, Virgo, cui salutem, alongside bedrock works by Haydn Mozart, including the ravishing "Laudate Dominum" from the Vesperae solennes de confessore.  

Program Includes

MARIANNA MARTINES — O, Virgo, cui salutem (modern world premiere)
MARIANNA MARTINES — Ah, Berenice, che fai 
FRANZ JOSEPH HAYDN — “La Roxelane” from Symphony No. 63
WOLFGANG AMADEUS MOZART — Missa Brevis in F Major 
WOLFGANG AMADEUS MOZART — “Laudate Dominum” from Solemn Vespers for a Confessor

PATRICK DUPRE QUIGLEY, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PERIOD ORCHESTRA

REBECCA CYPESS, CONSULTING SCHOLAR, RUTGERS UNIVERSITY 

Explore the vibrant works of Marianna Martines, a star of Viennese Classical music. A pupil of Franz Joseph Haydn and duet partner to Wolfgang Amadeus Mozart, Martines' music radiates simplicity and elegance. In a concert featuring chorus and period orchestra, we highlight the modern world premiere of Martines' O, Virgo, cui salutem, alongside bedrock works by Haydn Mozart, including the ravishing "Laudate Dominum" from the Vesperae solennes de confessore.  

Program Includes

MARIANNA MARTINES — O, Virgo, cui salutem (modern world premiere)
MARIANNA MARTINES — Ah, Berenice, che fai 
FRANZ JOSEPH HAYDN — “La Roxelane” from Symphony No. 63
WOLFGANG AMADEUS MOZART — Missa Brevis in F Major 
WOLFGANG AMADEUS MOZART — “Laudate Dominum” from Solemn Vespers for a Confessor

PATRICK DUPRE QUIGLEY, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PERIOD ORCHESTRA

REBECCA CYPESS, CONSULTING SCHOLAR, RUTGERS UNIVERSITY 

Explore the vibrant works of Marianna Martines, a star of Viennese Classical music. A pupil of Franz Joseph Haydn and duet partner to Wolfgang Amadeus Mozart, Martines' music radiates simplicity and elegance. In a concert featuring chorus and period orchestra, we highlight the modern world premiere of Martines' O, Virgo, cui salutem, alongside bedrock works by Haydn Mozart, including the ravishing "Laudate Dominum" from the Vesperae solennes de confessore.  

Program Includes

MARIANNA MARTINES — O, Virgo, cui salutem (modern world premiere)
MARIANNA MARTINES — Ah, Berenice, che fai 
FRANZ JOSEPH HAYDN — “La Roxelane” from Symphony No. 63
WOLFGANG AMADEUS MOZART — Missa Brevis in F Major 
WOLFGANG AMADEUS MOZART — “Laudate Dominum” from Solemn Vespers for a Confessor

JAMES K. BASS, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PIANO

ANDREW H. WEAVER, CONSULTING SCHOLAR, THE CATHOLIC UNIVERSITY OF AMERICA

Clara and Robert. Fanny and Felix. Experience expressive songs from both brilliant, yet underrecognized composers —like Clara Schumann, Fanny Mendelssohn Hensel, and Samuel Coleridge-Taylor—and artists who have traditionally defined the era—like Robert Schumann, Felix Mendelssohn, and Franz Schubert. Immerse yourself in hummable melodies and passionate lyrics in an evening that celebrates the beauty and diversity of Romantic choral music.

Program Includes

Gondoliera – CLARA SCHUMANN

O Schöne Nacht, Op. 92 — JOHANNES BRAHMS

Schilflied — FANNY MENDELSSOHN-HENSEL

Mitten Wir im Leben sint — FELIX MENDELSSOHN

Whispers of Summer — SAMUEL COLERIDGE-TAYLOR

JAMES K. BASS, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PIANO

ANDREW H. WEAVER, CONSULTING SCHOLAR, THE CATHOLIC UNIVERSITY OF AMERICA

Clara and Robert. Fanny and Felix. Experience expressive songs from both brilliant, yet underrecognized composers —like Clara Schumann, Fanny Mendelssohn Hensel, and Samuel Coleridge-Taylor—and artists who have traditionally defined the era—like Robert Schumann, Felix Mendelssohn, and Franz Schubert. Immerse yourself in hummable melodies and passionate lyrics in an evening that celebrates the beauty and diversity of Romantic choral music.

Program Includes

Gondoliera – CLARA SCHUMANN

O Schöne Nacht, Op. 92 — JOHANNES BRAHMS

Schilflied — FANNY MENDELSSOHN-HENSEL

Mitten Wir im Leben sint — FELIX MENDELSSOHN

Whispers of Summer — SAMUEL COLERIDGE-TAYLOR

JAMES K. BASS, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PIANO

ANDREW H. WEAVER, CONSULTING SCHOLAR, THE CATHOLIC UNIVERSITY OF AMERICA

Clara and Robert. Fanny and Felix. Experience expressive songs from both brilliant, yet underrecognized composers —like Clara Schumann, Fanny Mendelssohn Hensel, and Samuel Coleridge-Taylor—and artists who have traditionally defined the era—like Robert Schumann, Felix Mendelssohn, and Franz Schubert. Immerse yourself in hummable melodies and passionate lyrics in an evening that celebrates the beauty and diversity of Romantic choral music.

Program Includes

Gondoliera – CLARA SCHUMANN

O Schöne Nacht, Op. 92 — JOHANNES BRAHMS

Schilflied — FANNY MENDELSSOHN-HENSEL

Mitten Wir im Leben sint — FELIX MENDELSSOHN

Whispers of Summer — SAMUEL COLERIDGE-TAYLOR

JAMES K. BASS, CONDUCTOR

CHORUS, VOCAL SOLOISTS, PIANO

ANDREW H. WEAVER, CONSULTING SCHOLAR, THE CATHOLIC UNIVERSITY OF AMERICA

Clara and Robert. Fanny and Felix. Experience expressive songs from both brilliant, yet underrecognized composers —like Clara Schumann, Fanny Mendelssohn Hensel, and Samuel Coleridge-Taylor—and artists who have traditionally defined the era—like Robert Schumann, Felix Mendelssohn, and Franz Schubert. Immerse yourself in hummable melodies and passionate lyrics in an evening that celebrates the beauty and diversity of Romantic choral music.

Program Includes

Gondoliera – CLARA SCHUMANN

O Schöne Nacht, Op. 92 — JOHANNES BRAHMS

Schilflied — FANNY MENDELSSOHN-HENSEL

Mitten Wir im Leben sint — FELIX MENDELSSOHN

Whispers of Summer — SAMUEL COLERIDGE-TAYLOR

February 13, 2025, 6:30 pm to 7:30 pm

St. Paul's Chapel

Trinity Choir, led by director Melissa Attebury, presents a stirring collection of works created in the crucible of World War II. Showcasing the power of music to confront tyranny, honor voices of courage, and transform our darkest hours, the program culminates in Francis Poulenc’s choral masterpiece, Figure humaine. Composed in secret during the Nazi occupation of France and set to text by poet Paul Éluard, this hymn to freedom moves from introspective grief to defiant triumph, ending with a resounding final declaration: “Liberté.” 

Program 

Benjamin Britten, Advance Democracy  
Ilse Weber, Wiegala  
Elsa Barraine, Prelude 
Jacob Beranek, Abendgebet  
Francis Poulenc, Un soir de neige 
Kim André Arnesen, Even when He is silent 
Francis Poulenc, Figure humaine 

Trinity Choir; Melissa Attebury, director 

St. John Passion

Thomas Crawford, conductor
ACO Chorus

Enrico Lagasca, Jesus
Jacob Perry, tenor, Evangelist
Joseph Parrish, Pilate

Elisse Albian, soprano
Alex Guerero, Tenor
Kristen Hahn, soprano
Reginald Mobley, countertenor
Gene Stenger, tenor

In his New York debut, Raphaël Pichon conducts the US premiere of the spellbinding Mein Traum (My Dream). Songs by Schubert, Robert Schumann, and Carl Maria von Weber—including arrangements and orchestrations by Liszt and Brahms—are brought together in a transfixing new manner by Orchestra of St. Luke’s, renowned singers Christian Gerhaher and Ying Fang, and chamber choir Ensemble Altera directed by Christopher Lowrey. Experience a visionary feat of programming and performance that has audiences both discovering and rethinking these haunting and dramatic works.

Amanda Quist, conductor
Honey Meconi, consulting scholar

The Capilla Flamenca was perhaps the most glorious choir ever assembled. A gift from a queen to her grandson, Holy Roman Emperor Charles V, the elite group of singer-composers dazzled the courts and cathedrals of Spain for centuries with their sublime voices and awe-inspiring music. Now, Seraphic Fire—led by guest conductor Amanda Quist—will bring their legacy to life in a stunning tribute to the Capilla Flamenca. Don’t miss this rare opportunity to witness the splendor of a golden age of choral music.

Amanda Quist, conductor
Honey Meconi, consulting scholar

The Capilla Flamenca was perhaps the most glorious choir ever assembled. A gift from a queen to her grandson, Holy Roman Emperor Charles V, the elite group of singer-composers dazzled the courts and cathedrals of Spain for centuries with their sublime voices and awe-inspiring music. Now, Seraphic Fire—led by guest conductor Amanda Quist—will bring their legacy to life in a stunning tribute to the Capilla Flamenca. Don’t miss this rare opportunity to witness the splendor of a golden age of choral music.

Amanda Quist, conductor
Honey Meconi, consulting scholar

The Capilla Flamenca was perhaps the most glorious choir ever assembled. A gift from a queen to her grandson, Holy Roman Emperor Charles V, the elite group of singer-composers dazzled the courts and cathedrals of Spain for centuries with their sublime voices and awe-inspiring music. Now, Seraphic Fire—led by guest conductor Amanda Quist—will bring their legacy to life in a stunning tribute to the Capilla Flamenca. Don’t miss this rare opportunity to witness the splendor of a golden age of choral music.

Amanda Quist, conductor
Honey Meconi, consulting scholar

The Capilla Flamenca was perhaps the most glorious choir ever assembled. A gift from a queen to her grandson, Holy Roman Emperor Charles V, the elite group of singer-composers dazzled the courts and cathedrals of Spain for centuries with their sublime voices and awe-inspiring music. Now, Seraphic Fire—led by guest conductor Amanda Quist—will bring their legacy to life in a stunning tribute to the Capilla Flamenca. Don’t miss this rare opportunity to witness the splendor of a golden age of choral music.

Gawain and the Green Knight

A Medieval New Year's Legend

by Doug Balliett 

Performed by Karim Sulayman, Elisse Albian, Jesse Blumberg, Taylor Ward, Jonathan Woody, Elisa Sutherland, Raha Mirzadegan, members of ACRONYM, Ruckus, and Theotokos.

Gawain and the Green Knight: a Christmas story, a horror story, a romance, a paean to nature. All set at King Arthur’s court which huddles in its luxury on the borders of unforgiving wilderness and forces unknown. Gawain has agreed to have his head chopped off in a year’s time. But why? And can he live up to his promise, or his legendary perfection?

In its 7th consecutive performance, ring in the New Year with this bizarre medieval Christmas tale, filled with music, story, and song. Performed at the Camelot-esque performance space at St. Mary’s Church on the lower east side, the audience is immersed in King Arthur’s court, including music for the choral sing-alongs. Tenor Karim Sulayman takes the title role of Gawain, while other major roles are taken by New York luminaries Jonathan Woody, Jesse Blumberg, Taylor Ward, and more. Members of highly acclaimed ensembles ACRONYM, Ruckus, and Theotokos come together to create a groovy continuo sound.

Tickets are pay-what-you-like. Doors open at 7:30, concert begins at 8. Running time is app. 2 hours plus a 20 minute intermission. Tickets can be found HERE.

In the idyllic village of Grafton, Vermont, guest conductor Anthony Trecek-King returns to lead our Billboard-chart-topping Christmas program. Enjoy fresh yuletide tunes like Taylor Scott Davis’ Solstice—and, as always, celebrate the season with fan favorites like O Come All Ye Faithful and Jesus Christ the Apple Tree.

AMOC* celebrates Latin American poets and the voices of women with its production of John Adams’s El Niño: Nativity Reconsidered, featuring a libretto by Peter Sellars and production conceived by AMOC* soprano Julia Bullock, with a return to The Cathedral Church of St. John the Divine for a third year.

El Niño: Nativity Reconsidered will be conducted by Christian Reif, who created the new arrangement and premiered the initial, distilled arrangement as part of Julia Bullock’s residency at the Metropolitan Museum of Art, where The New York Times called it “intimate, affecting and quietly rich with activism.” A rarely performed work, El Niño “explores the central themes of the nativity – miracles, the unique relationship between birthparent and child, and gift giving,” said Bullock, whocurated the selections being performed.and whose ”voice and vision are forces to be reckoned with” (Opera News).

Tickets

Music by John Adams
Libretto compilation by Peter Sellars
Musical selections by Julia Bullock
Musical arrangement by Christian Reif

Julia Bullock, soprano
Rachael Wilson, mezzo soprano
Kyle Tingzon, countertenor
Davóne Tines, bass-baritone
Emi Ferguson, flute/piccolo
Roni Gal-Ed*, oboe/English horn
Gleb Kanasevich*, clarinet/bass clarinet
Alexander Davis*, bassoon/contrabassoon
Priscilla Rinehart, horn
Conor Hanick, piano
John Arida*, keyboard
Jonny Allen, percussion
Jordan Dodson*, guitar
Keir GoGwilt, Miranda Cuckson, Julia Choi*, Josh Henderson*, Miran Kim*, Qianwen Shen*, Ravenna Lipchik*, violin
Zöe Martin-Doike*, Tia Allen*, Carrie Frey*, Celia Hatton*, viola
Coleman Itzkoff, Seth Parker Woods*, Titilayo Ayangade*, cello
Doug Balliett, Christopher Johnson*, double bass
The Choir of Trinity of Wall Street*
Christian Reif*, conductor

*denotes special guest

Don’t miss the annual performance The New York Times describes as “transcendent and awe-inspiring . . . the gold standard.” Featuring Trinity Choir and Trinity Baroque Orchestra, Trinity’s Messiah has captivated audiences since it was first presented in 1770. 

Trinity’s unique Messiah is distinctly modern yet authentically performed on period instruments in a sacred and acoustically rich space. This year’s oratorio is led by acclaimed British conductor and Baroque specialist Jane Glover, who has conducted every major symphony and chamber orchestra in Britain, as well as orchestras worldwide. 

Trinity Choir; Trinity Baroque Orchestra; Jane Glover, guest conductor 

Don’t miss the annual performance The New York Times describes as “transcendent and awe-inspiring . . . the gold standard.” Featuring Trinity Choir and Trinity Baroque Orchestra, Trinity’s Messiah has captivated audiences since it was first presented in 1770. 

Trinity’s unique Messiah is distinctly modern yet authentically performed on period instruments in a sacred and acoustically rich space. This year’s oratorio is led by acclaimed British conductor and Baroque specialist Jane Glover, who has conducted every major symphony and chamber orchestra in Britain, as well as orchestras worldwide. 

Trinity Choir; Trinity Baroque Orchestra; Jane Glover, guest conductor 

Don’t miss the annual performance The New York Times describes as “transcendent and awe-inspiring . . . the gold standard.” Featuring Trinity Choir and Trinity Baroque Orchestra, Trinity’s Messiah has captivated audiences since it was first presented in 1770. 

Trinity’s unique Messiah is distinctly modern yet authentically performed on period instruments in a sacred and acoustically rich space. This year’s oratorio is led by acclaimed British conductor and Baroque specialist Jane Glover, who has conducted every major symphony and chamber orchestra in Britain, as well as orchestras worldwide. 

Trinity Choir; Trinity Baroque Orchestra; Jane Glover, guest conductor 

The Fifth Avenue Chamber Choir and Orchestra, directed by Ryan Jackson
Join us for our inaugural performances of Handel’s Messiah—the perfect way to usher in the Christmas spirit. Revel in the glorious sounds of this timeless masterpiece, featuring renowned solos such as “Comfort Ye” and “Rejoice Greatly,” alongside the iconic “Hallelujah” chorus. Experience the drama and beauty of Handel’s composition, brought to life by our exceptional vocalists and instrumentalists in the inspiring surroundings of Fifth Avenue’s majestic Sanctuary. Don’t miss this unforgettable start to the holiday season in New York City.

Elisse Albian , soprano soloist

The Fifth Avenue Chamber Choir and Orchestra, directed by Ryan Jackson
Join us for our inaugural performances of Handel’s Messiah—the perfect way to usher in the Christmas spirit. Revel in the glorious sounds of this timeless masterpiece, featuring renowned solos such as “Comfort Ye” and “Rejoice Greatly,” alongside the iconic “Hallelujah” chorus. Experience the drama and beauty of Handel’s composition, brought to life by our exceptional vocalists and instrumentalists in the inspiring surroundings of Fifth Avenue’s majestic Sanctuary. Don’t miss this unforgettable start to the holiday season in New York City.

Elisse Albian , soprano soloist

The Divine Muse series culminates on the eve of Saint Cecilia’s Feast Day, with two master works inspired by the patron saint of music: George Frideric Handel’s Ode for St. Cecilia’s Day Overture and Allesandro Scarlatti’s St. Cecilia Mass. Now rarely heard, the latter piece during its time was considered an equal to Bach’s Magnificat. Trinity’s adaptation by music librarian Harrison E. Joyce adds wind instruments to the original orchestration. 

Trinity Choir; Trinity Baroque Orchestra; Melissa Attebury, director 

Ryan Brandau, Conductor

Elisse Albian, Soprano

Brian Giebler, Tenor

Edmund Milly, Baritone

Trinity celebrates St. Cecilia

This Bach at One is the first installment of Trinity’s Divine Muse series celebrating Saint Cecilia, whose spirituality and martyrdom have inspired countless works of art, literature, and music. Director of Music Melissa Attebury leads the Trinity Choir and the Trinity Baroque Orchestra in a tribute that includes Bach’s Komm, Jesu, komm; Gott der Herr ist Sonn und Schild, and Benjamin Britten’s Hymn to St. Cecilia — one of the best-known musical tributes to the saint. 

Trinity Choir; Trinity Baroque Orchestra; Melissa Attebury, Director